Chinthu cha kwenekuko(853 × 1,280 pixels, file size: 244 KB, MIME type: image/jpeg)

Chinthu ichi ntchaku Wikimedia Commons ndipo chingagwiliskikaso kunyake. Vakulongosola vake file description page vili pasi apa.

Malongosolelo
English: Mask, Tsogo peoples, Ogowe River region, Gabon, Late 19th to early 20th century, Wood, pigment

The striking disconnect between the divisions of the painted surface and the underlying carved form is an aspect of African art that first entranced Western audiences. The Western lack of awareness of context was such that when this mask was exhibited in the 1950s in France, it was identified as coming from another part of Africa. Later research attributed this mask to the Tsogo peoples as part of wider regional tradition of divided color faces.

(National Museum of African Art)
Siku
Ukaboni Flickr [1]
Mlembi cliff1066
w:en:Creative Commons
Viyambilo vya kuchita
This file is licensed under the Creative Commons Attribution 2.0 Generic license.
Ndimwe ŵakuzomelezgeka:
  • kugaŵa – kuti mutandazge, kugaŵa na kusintha ntchito
  • kusazga – kusintha chito iyi
Pa malango ghakulondezga agha:
  • Viyambilo vya kuchita – Mukwenela kupeleka malumbo ghawemi, kupeleka linki yakutyonda ku chilolezo, kweneso yowoyaniso pala vinyake vyasintha. Mukwenela kuchita nthena mwakwenelela, kwambula kujikhalila khonde.
This image was originally posted to Flickr by cliff1066 at https://www.flickr.com/photos/28567825@N03/2923626512. It was reviewed on 23 Okutobala 2008 by FlickreviewR and was confirmed to be licensed under the terms of the cc-by-2.0.

23 Okutobala 2008

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some value

author name string English: cliff1066

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21 Sekutembala 2008

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0.1 second

f-number English

3.5

focal length English

35 millimetre

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400

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image/jpeg

Mbili ya chinthu

Dofyani pa siku/nyengo kuti muone umo vikaonekela pa nyengo iyo.

Siku/NyengoKachithuziVipimoMgwiliskiGanizo
sono10:01, 23 Okutobala 2008Kachithuzi kachoko nga mpha 10:01, 23 Okutobala 2008853 × 1,280 (244 KB)Ji-Elle{{Information |Description={{en|1=Mask, Tsogo peoples, Ogowe River region, Gabon, Late 19th to early 20th century, Wood, pigment The striking disconnect between the divisions of the painted surface and the underlying carved form is an aspect of African a

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